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Postponed: Bard Talks: Damned, Smiling Villains: The Pleasure of Not Caring
Jun
27
10:00 AM10:00

Postponed: Bard Talks: Damned, Smiling Villains: The Pleasure of Not Caring

Shakespeare’s villains run the gamut from mischievous (Puck) to monstrous (Iago.) Ultimately, the audience is left to form their own judgment of the crimes they’ve witnessed, but does the writer leave us any clues as to how he ranks his creations on a scale of wickedness?

Brian Lohmann investigates three villains: Richard III, Lady Macbeth and Iago to discover who Shakespeare judges redeemable and whose "soul may be as damned and black as the hell whereto it goes.” Watch the free live-stream webinar on Zoom Saturday, June 27 at 10am Pacific. >>Register now<<

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Postponed: Bard Talks: “‘She is [not] so idly kinged’ (2.4.27) in Henry V
Jun
6
10:00 AM10:00

Postponed: Bard Talks: “‘She is [not] so idly kinged’ (2.4.27) in Henry V

Dr. Janna Segal discusses the choices used in the Commonwealth Theatre Center’s all-female production of Henry V (2018) and reveals the dramaturgically important matter of the female gender in the play’s male-dominated world.. Watch the free live-stream webinar on Zoom Saturday, June 6th at 10am Pacific.

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Bard Talks:  ‘Stalking, Jetting and Strutting’: Performing Tragedy in the Time of Shakespeare
May
23
10:00 AM10:00

Bard Talks: ‘Stalking, Jetting and Strutting’: Performing Tragedy in the Time of Shakespeare

In this Bard Talks webinar Dr. Tiffany Stern reveals the quirky and extraordinary way in which actors walked and talked to play tragedy in Shakespeare’s day. The subject is funnier than the title might suggest! #sillywalks

Watch the free live-stream webinar on Zoom Saturday, May 23 at 10am Pacific. Register to save your spot >>

PRESENTER BIO: Tiffany Stern is Professor of Shakespeare and Early Modern Drama at The Shakespeare Institute, University of Birmingham; she has previously held professorships at Royal Holloway, University of London; and Oxford (University College). Her work combines literary criticism, theatre history and book history from the sixteenth to the eighteenth centuries. She specialises in the works of Shakespeare and his contemporaries, particularly Jonson, Brome, Middleton and Nashe, and also writes on seventeenth- and eighteenth-century playwrights and editors, including Wycherley, Farquhar, Sheridan, Theobald and Johnson. The theatrical contexts that bring plays about – by Shakespeare and others – is her particular focus. Having researched the theatrical documents put together by authors and others in the process of writing and learning a play, she is repeatedly drawn back to actors’ parts, the documents consisting of cues and speeches from which actors learned their roles. She also writes on prologues, epilogues, songs, letters, arguments, plots and other stage documents; acting methods; theatre props, music, marketing and architecture. General editor of New Mermaids, and the flagship Shakespeare series Arden Shakespeare 4, she is also on the editorial boards of the journals SEDERI, Shakespeare Bulletin, and The Hare. Her scholarship is widely used by theatre companies interested in historically inflected performances.

ABOUT BARD TALKS: Now in its second season, Bard Talks are free webinars presented by distinguished scholars who reveal Shakespeare's secrets about acting, directing, sonnets, food and more! They are hosted by Shakespeare Center LA.

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